Tuesday, August 28, 2007

Nina Nastasia - Dogs (2000)

Nina Nastasia - Dogs (2000)

Nina Nastasia's first outing is a captivating, melancholic affair of precision and emotional clamor and stands as a fantastic sibling to her essential sophomore album, The Blackened Air. Dogs has a calming atmosphere, occasionally flirting with dissonance, and stands as a remarkable work of minimal building by repetition to support Nastasia's pitch-perfect voice. It is a rare group who can pull off such a fluid shift from composed sophistication to raw, dangerous, and sinister energy and not only continue to be engaging, but make ascending demands so confidently as to require full attention for the span of 40 minutes without interruption. Hypnotic, luscious, and timeless, Dogs is an album whose freshness and immediacy will never falter. ~ Gregory McIntosh, All Music Guide

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Big Dipper - Heavens / Boo Boo (1987)

Big Dipper - Heavens / Boo Boo (1987)

With the legendary Sean Slade/Paul Kolderie team doing the producing honors at Fort Apache studios, Big Dipper built upon the strengths of Boo-Boo (included with the CD version of Heavens) quite successfully. As with their earlier release, the music sparks with post-punk/power pop fire, but often eschews romantic angst dark or light for less expected lyrical realms. "Easter Eve" captures the slightly off spirit of Big Dipper well -- besides being an unheard-of holiday, the strong riffs always end quickly, holding back a touch, chopping along with a strange intensity. "Younger Bums" has a great, strong central riff, even while Goffrier and company dismiss the title characters and their frustrating ways. Though the variety of the record isn't high, at points the four members nicely reach to new heights, assisted by the sharp, but never overly polished, work of Slade and Kolderie. "Lunar Module" has an especially fine, trancy ending, the band chanting "That's what it seems" slowly over a leisurely fading groove. "Man O' War" features a guest mandolin player; its rushed pace and ruminative lyrics, not to mention Goffrier's delivery, sounds like a hyperactive American cousin of the Go-Betweens. It's a feeling that crops up more than once throughout the record, Goffrier's slightly tremulous passion (no matter what the subject) lending the music an extra punch. The album ends on a fine note with "Guitar Named Desire," a slightly surfy, mostly instrumental track that kicks up its heels nicely. Charming and forceful all at once, Heavens boded well for Big Dipper as the full start of its recording career. ~ Ned Raggett, All Music Guide

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Monday, August 27, 2007

Palace Music - Lost Blues and Other Songs (1997)

Palace Music - Lost Blues and Other Songs (1997)

Despite the overall excellence of albums like There Is No-One What Will Take Care of You and Viva Last Blues, Will Oldham tended to save his best Palace offerings for the group's singles; Lost Blues & Other Songs is a career-capping collection of those 7" releases which serves as a superb overview of the Palace project's mercurial history. Although a few stray tracks (like the German-only "Gezundheit," a cover of Lynyrd Skynyrd's "Every Mother's Son," and the live Lounge Ax single) are MIA, the set includes all of the truly crucial Palace singles from the first (1993's "Ohio River Boat Song") to the last (1997's "Little Blue Eyes"), along with unreleased material like "Valentine's Day," "Lost Blues," and a more ragged rendition of the debut album's classic, "Riding." The highlights are many, but the true standouts are the anthemic cover of the Mekons' "Horses" and both sides of the "West Palm Beach"/"Gulf Shores" single, a luminously pastoral effort reminiscent of Red House Painters. A stunning recapitulation of a truly unique musical vision, Lost Blues & Other Songs is an essential record from an essential band. ~ Jason Ankeny, All Music Guide

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